ADALBERTO ABBATE
Perhaps Adalberto Abbate was with William Burroughs when he wrote these Geographies of Control Jean Baudrillard spoke before his recent death. Maybe not. In any case, the objective of his artistic focus with clarity on the unveiling of the power devices coercive on the masses. In front of the Microsculptures (2006) Artist Palermo is a strong feeling of facing the antithesis of Playmobil, armies of characters included in categories and preordered environments that tell a perfect world, causing distorted imagination. Adalberto Abbate derives its projects by thorough examination of the most urgent social problems of the contemporary world and translated them into modules for the evacuation of areas at risk. New and multifaceted phobias raging among the people and together with a dissonant anger grows familiar with the tragedy that decrees the death of historical memory. Inside the cauldron of images and objects of collective consumption, running Abbate a choice evolved from conceptual art with a vocation to the spectacular why not save anything, does not delegate everything to the provocation, but the reflections that his work can trigger. On the phenomenon of Catholicism, the core of Catholicism Addiction Disorder (2007), there is the least doubt about the relationship between the interference of the religious system and behavioral problems associated with psychopathology, suddenly now widespread, social phobias and relationship solved with vast amounts of drugs.
tracked on an electric saw Adalberto Abbate shows Ezekiel 18.20: "he who has sinned and no one else has to die" and meanwhile the world struggle to abolish of the death penalty and the concept of approval and anomie becomes concrete in the intervention on the old photo that shows students / and during recess, is no accident that artistic research, ask the individual, his training, faith and vulnerabilities and to concatenation religion-violence-monstrosity. On the Evolutionary Process Education (2003-2004), the collages of Tomato Therapy (2000-2007) and the serial nature of mixed-media whitewashed the project Errata (2005) Adalberto Abbate stated that bright personality rising generation of artists Preview at Berlin-The Emerging Art Fair, where he exhibited Church (2008), with the support of Francesco Pantaleone Arte Gallery Contemporary Palermo.
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