Now I no longer hungry. With this license shall be submitted to the staff of Aldo Taranto sponsored by the Association Switch to Modica. Two buildings designed as hemispheres of the mind, a precious space, very intimate. Three pairs of televisions are sitting on chairs with legs extended in front of each coupling element and a cathode-ray mirror box with soap. Aldo Taranto asks the questionnaire of personal reflection and causes the dell'osservante: is the potential entry of a visual maze made multiple references and continuous. The artist is exposed Syracuse with an awareness of being in search of balance and discover that the feeling of existence and the hollow part of life, being hungry is no longer needed. From the bottom black Videosapone and Portrait with flour reveal the artist's self-image video portrait, are casual gestures, but weighed movements close to the dance and the reference is explicit: Taranto homage Kazuo Ohno, a fine exponent of contemporary dance theater, reaffirming its position within the maze / life as to be in constant search for balance in opposition to the loss. The point is - Aldo Taranto declares that art, like the dream is a way of life and now I no longer hunger is its syntax.
Francesco Luciani
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