Cosmetics. Two business travelers with unlimited mileage: Eva and Nicola Geatti Toffolini. An actress and a creator of visions. The territory is crossed by the multiple interventions, is the space within which occurs a progression that only theater can generate the necessary. The scene autogenerantesi eliminates the hierarchy of the show, each role as stated: the designed environment is filled with real-mediated transpositions of the meeting of thought and body-movement-sound-volume. Rare form of performative theater was so direct.
In signs of structural failure (2003), performing in a box is consumed at least the existence of this individual, born in a white cotton and the movement is that of someone who knows the area is safe, knowing that the darkness can overturn. Creation is a total immersion in twenty-four hours to lose and live, that flow, triggering visions of one day and another, accepting the absence. If the drama of space we can talk, its nature is surprising and bold interplay between visual art and plastics, architecture and music labels with detecting the unexpected scene. Disorientation.
Blonde, Internal 5 (2003) is the study being presented at the Foundry in London in the review ENtoPAN. For Cosmetics saccenza nor nor back-quotes, but that exists in the temporary theater, scanned, and voiced taken from reality. conditioning tests (2005) Award is presented to the scenario: in a position trying to sell a show or follow the movements of the body and mind put in place to live art. Makes its way I put out in the absence of means (2006), dark and sound are elements to denounce the inadequacy of the institutions towards the contemporary theater. In the same year the International Prize of the performance of Trento select donna_chi The first sowing wind storm gathers (2006) and Cumulonimbus at my door is presented in Contemporanea07. The near future is to project periodonero (2008) and in the development of The magnificence of the storm (2006) presented Santarcangelo Festival two years ago.
Francesco Luciani
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